A Day in Venice
When Daina Higgins moved to Philadelphia, she began to commute by car for the first time in her life. Her daily commutes took her through the inner-ring suburbs of Philadelphia and she began to document the unsung landscapes of Northeast, Northwest, and South Philadelphia in her paintings. As a painter of the urban landscape, her eye is drawn to the “non-places” and “unheroic landscapes” not visited by tourists or beauty seekers. For Higgins, the car is itself a type of non-space within a suburban non-place, where life is reduced to essentials. Still, there is a visual interest in the way light reflects off shop windows and car windshields in the sparkling world of the auto-centric main drag. It is this type of everyday world that is heroic to Higgins. A Day in Venice captures the isolation and contemplation that car travel provides.
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